Note: Watched The History of Sound: Brooding, building and beautiful. Some very aesthetically pleasing framing of shots.
Note: Watched The History of Sound: Brooding, building and beautiful. Some very aesthetically pleasing framing of shots.
Note: Hamnet: Sad, yes, but mostly full of love. So much love.
Starting the year as I mean not to go on.
Younger M got me a year of Super Duolingo for Christmas 2024 and that meant I finally managed to complete Scottish Gaelic mid last year. Since then I’ve been spending a fair bit of time learning Norwegian (just because of Hjem til Jul), but there is literally no point in this - I’m not going to Norway any time soon. Since I’ve completed Italian and Scottish Gaelic, which is all I really wanted to do, I’ve decided to take a break from Duolingo and explore other ways of learning: I might try to read an Italian Novel and might try to listening to Scottish Gaelic audio; I’m certainly not getting any better at either by doing the Daily Refresh sections on Duolingo.
I was going to let yesterday be my final day of Duolingo, but then I realised if I did today that is just over a six and a quarter year streak (as opposed to just under) so I thought I might as well do one last lesson.
All in all, in addition to completing Italian and Scottish Gaelic, I completed up to the end of Section 2 Unit 24 of Norwegian, Section 2 of French, and Section 2 Unit 7 of Polish.
Note: Managed to pip 20k elevation for the year running. Close to my elevation/distance ratio of 2001.
Making it five years in a row. This year’s list is the most excessive of all: Over nine hours of music. And I’ve probably forgotten to add some tracks I’ve called out in my quarterly album round-ups. There has been a ridiculous amount of good music again this year.
I have absolutely loved doing this, although my self-imposed (soft) rule of “only listening to music that has been released this year” is perhaps a tad restrictive. As has been trying to keep up with The Line of Best Fit’s New Music Discovery playlist every week (found some great artists though!). So next year I’m going to try something different. Spotify is just a bit shitty. Unfortunately I can’t get rid of it because of paying for a family plan, but for my personal use next year I’m going to give Cantilever a whirl instead. And as mentioned in that post, I’m hoping it fulfils my new music fix, but “more slowly”. I know I’m going to miss some great artists and songs as a result, but that is always the case anyway.
The downside of this though is just how great Spotify Connect and the Rust ecosystem support is. It’s just soooo ace to be able to run spotifyd on my laptop and control what’s playing from my phone or use ncspot for a full terminal experience. Maybe I can figure out an alternative that works with Cantilever?
Posed myself a question as to whether I had any further thoughts on Olivia Dean: The Art of Loving? Lady Lady? I already mentioned that one last time. Close Up is also good. Does lose it a bit in the second half of the album until the closing track, I’ve Seen It.
Also, decided I really like Georgina on Coach Party’s Caramel.
Since it’s the last chance of the year there is a lot of stuff here from throughout the year and that I’d missed earlier.
Leftover from September:
And then:
This is not even everything. There will be albums I’ve forgotten. And this obviously doesn’t include the random singles, etc that are in my “Picks of 2025” list. That’s coming tomorrow. And is excessive.
Came very close to it being Heartworms with Glutton For Punishment, especially because I saw them live, but then I thought Lambrini Girls have five tracks in my “Picks of 2025” list and I saw them live (excellent!), but it doesn’t feel like album of the year emotionally to me. Then there is also Carla Aakre’s things i forgot to tell you, which is outstandingly beautiful. Oh, and NewDad’s Altar. But I went with Low Girl after a recent re-listening of them all. I can’t recall how this ended up on my radar, but it is just superb. I don’t really have much to say about each indiviual song, but have highlighted my favourites. In general, the layering of all the instruments and vocals is so good - I know that is the point of a band, but it’s just done so well here.
How does this make me feel? All the feelings. Like someone reaching inside of you and making you dissolve.
I guess if I went for a top five albums it would be: 1) Low Girl, 2) Heartworms, 3) Carla Aakre, 4) NewDad, 5) Lambrini Girls. Maybe. Probably.
I used the word beautiful as many times as was appropriate.
The interesting thing here is how early the cutoff must be for Top Artists, etc. I’ve absolutely rinsed Low Girl’s Is It Too Late To Freak Out?, but it was only released on 24th October so doesn’t feature here at all.
Aside from that omission this makes sense though: Carla Aakre and Heartworms are album of the year contenders. Lambrini Girl’s should be since I have five songs from that album in my Picks of 2025 list. Rose Gray’s album had three tracks (Free, Party People and Switch) in that same list. Chy Cartier must have made it based on one track, NOT THE ONE, from her album (class track though).
The Top Songs are:
My listening age came out as 16, which is either embarassing or cool, I’m not sure
When I got tickets for the Aberdeen Jazz Orchestra’s Christmas show I didn’t realise at the time it would be the last ever Jazz at the Blue Lamp.
Note: Are the people giving Amber Davies hate just jealous of her insane dancing skills? #strictly
December is busy. Ended up doing this run again this week to get my running in in one go.
Note: Loving this LIFTGOINGUP EP by Emmeline. So good.
It took me a bit to get up and running after getting the laptop, but did want to point out that I am actually making use of it now:
pdh on my server, but just having a portable computer which is mine doesn’t half make it easier to do this.
ruff itself fine. diff --git a/pre_commit/store.py b/pre_commit/store.py
index 1235942..ba2469a 100644
--- a/pre_commit/store.py
+++ b/pre_commit/store.py
@@ -3,7 +3,11 @@ from __future__ import annotations
import contextlib
import logging
import os.path
-import sqlite3
+try:
+ # Primarily for BSDs that don't have built-in
+ import pysqlite3
+except ImportError:
+ import sqlite3
import tempfile
from collections.abc import Generator
from collections.abc import Sequence
At roughly three per week that’s six years of workouts which feels about right; Only more recently have I made a point of balancing running with strength workouts.
The Nike Training Club application really seems to struggle to sync this number of activities and has lost a few; According to the Strava API I have done 1055 workouts (Yoga + Workouts), not all of those are Nike Run Club, but most definitely are so NTC has probably lost about 40 workouts in all.
Asides from that though, I 100% rate and recommend it as a free fitness application.
Quick/hacky summing of my workouts thanks to strava-ruby-client:
irb(main):093> sports = {}
=> {}
irb(main):094* client.athlete_activities(per_page: 30) do |activity|
irb(main):095* sport_type = activity.sport_type
irb(main):096* if sports[sport_type]
irb(main):097* sports[sport_type] += 1
irb(main):098* else
irb(main):099* sports[sport_type] = 1
irb(main):100* end
irb(main):101* sleep 1
irb(main):102> end; 0
=> 0
irb(main):103> sports
=>
{"Workout" => 363,
"Run" => 1782,
"Yoga" => 692,
"Swim" => 25,
"Kayaking" => 1,
"Walk" => 7,
"EBikeRide" => 2,
"Skateboard" => 2}
I’m actually up to 1003 now
This looks like a really great idea and I’m very tempted to give this a go next year for fufilling my new music fix.
This year I’ve made an effort to listen to the Line of Best Fit’s New Music Discovery playlist every week (other years I’ve listened more sporadically) to discover new artists. And using that in combination with other sources (e.g. Radio) has meant I’ve listened to a fair few albums. But I have two issues with this:
Maybe with Cantilever I can alleviate these? I could have a more considered listening experience - still listening to new music, but a bit less in terms of overall volume of artists with more listens given to each album? It also means I’d start getting more money in the pockets of artists instead of in the pockets of Spotify.
These are the ten most recent posts (not counting any note drivel), for older posts see the Archive.